Re: [Harp-L] Re: chromatics question



I'll add another 2 cents here,
Sometimes you can pull your hair out trying to gap one to play right, when
the problem is leakage between the comb and reedplate, or comb and
mouthpiece. Just because it's plastic doesn't mean that it is true. To
address this, I break off the 2 locator dowels, and sand the comb. All this
requires is a screwdriver, a nice flat piece of glass (thicker the better),
a sheet of 400# sandpaper, and a careful eye.
Joe

----- Original Message ----- 
From: "G" <gigs@xxxxxxxxxxxxxxx>
To: <harp-l@xxxxxxxxxx>
Sent: Friday, June 17, 2005 7:07 PM
Subject: [Harp-L] Re: chromatics question


> Date: Thu, 16 Jun 2005 17:19:10 -0700 (PDT)
> From: Jp "Pagán" <jpl_pagan@xxxxxxxxx>
> Subject: [Harp-L] Chromatics question
> To: harp-l harp-l <harp-l@xxxxxxxxxx>
> >   is there any concensus as to whether the Super 64 is
> > better than the 280?
> >   thanks,   --Jp
>
> Hi Jp,
>   They're essentially the same instrument, with the exception of the
> mouthpiece, covers and associated screws, all the remaining components
> including reedplates and comb have the same part numbers.  Even then I
have
> trouble telling the mouthpieces apart.
>
> I can't tell any difference in terms of performance out of the box, since
> just off the shelf even two of the same model can vary more markedly than
> comparing the two models against each other - and that can be fixed with
> gapping.
>
> Cheers,
>  -- G.
>
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