Re: [Harp-L] Boor Harp Cradle



----- Original Message ----- From: "Smith, Richard" <rismith@xxxxxxxxxxx>
To: <harp-l@xxxxxxxxxx>
Sent: Thursday, June 09, 2005 6:39 AM
Subject: [Harp-L] Boor Harp Cradle



Just wondering if anyone has tried the "BOOR HARP CRADLE" that's sold
at the Best Lil Harp House website?

http://www.harphouse.com/cart.php?m=product_detail&p=418

It looks a little bit "chunky", but the real question is - - is it a better mousetrap?
I'd appreciate a report from someone who has experience with it.
Thanks,


Richard J. Smith
Wormleysburg, PA

Disclaimer: In making this review, I have tried to be fair. However, the reader should be aware that I make and sell a harmonica neck rack, called the Ergonomic-Neck-Rack. Although it has a much higher price, it could be considered competition.


I ordered a Boor's Harmonica Cradle for evaluation. It came today.

PRO:
It is has a nice low price, $20 including shipping.

It weighs about 12 ounces.

It is charmingly simple, consisting mainly of a frame bent out of sturdy 1/4" steel rod, a length of flattened chain suggestive of a choke collar for a large dog, and two lengths of stiff 5/8" OD rubber hose. There are also a few small parts such as hooks, rings, etc for securing the ends of the chain to the frame.

The harp is grasped between the two pieces of hose. There are no springs or metal parts inside the hoses. The stiffness and elasticity of the rubber holds the harp. There are undersized holes near the ends of the hoses through which the 1/4" rod of the frame is threaded. These "grab" the frame by friction and resist sliding up and down except when adjustment is intended.

Because it has no wingnut joint, it has no problem with that joint slipping.

The chain is attached to a pair of rubber grommets on the frame. This point of attachment can be moved up and down by overcoming the friction of the grommets against the frame.

The chain opens to admit the player by means of a harness clip on a small split key ring. Thus, it is not necessary to thread your head through the rigid frame.

Harp altitude adjustments can be made two ways...by raising and lowering the rubber hoses on the frame and by raising and lowering the grommets to which the chain is attached thus raising or lowering the whole frame.

The harp can be be brought closer or farther from the mouth by altering the length of the chain that goes around the player's neck. For a permanent adjustment, the number of links in the chain can be changed. For an immediate adjustment while playing, the hooks to which the chain is attached can be rotated about the frame making the chain effectively longer or shorter. This adjustment is secured by the friction of the grommets against the frame resisting rotation.

CON:
I found these drawbacks:

Although the rubber seems to be good stuff, "Santoprene," if it ever aged and lost elasticity, the Cradle would be rendered useless.

The frame is not wide enough to admit a 12-hole chromatic. This holder is strictly for diatonics.

Because of the size of the hoses, you can only get about 5/8" of the harp into your mouth. This might not be enough to easily play octaves and other wide double-stops.

With the harp in place, the Cradle places a 2 1/4" high black barrier in front of your face. (With a face like mine, that might be considered an advantage!)

In order to sing, one must tilt the head way back to raise the lower lip 1 5/8' to get it above the horizontal part of the frame. For me, this seemed very strained and un-natural. An alternative is to use your hands to swing the hooks to which the chain is attached thus effectively lengthening the chain and allowing the harp to drop away from your face. Using your hands kind of briefly defeats the whole purpose.

Because of the flexibility of the chain, the harp doesn't seem very stable in the side-to-side direction. The bend of the frame that rests aginst the chest is slick and tends to slide.

The Cradle also seemed unstable in the close-far direction because the frame can pivot around the points-of-attachment of the chain. Then the bottom of the frame would ride up my chest and the harp would retreat away from my face. A belt attached to the bottom of the frame and running under the arms and around the player's back might fix these instabilities. Marv Monroe uses such a belt with his home-made holder.

Disclaimer #2
Please read the above disclaimer #1 again. I am not much of a diatonic player and so may not be the best person to make an evaluation of the cradle. Having designed a harp holder, I tend to have fixed ideas about what performance features are important. Also, certain advantages and disadvantages may be more or less important to a player depending on his preferences and mode of play. YMMV!


If someone else would like to give it a try, mine is available for $8. Contact me offline.

Vern
Visit my harmonica website: http://www.Hands-Free-Chromatic.7p.com











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