[Harp-L] Re: Harp preparation for studio recording?



Hey Ross,
   
  I did a demo cd some time ago and wasn't really happy with how it came out.  Just finished a 'real' cd project and am much happier with the output.  "Advice" based on my experience (mileage will vary for other users):
   
  1. What sounds good on stage isn't necessarily the same setup for the studio. When you first set up in the studio record something either alone or with the band to cover the range of what you might do. Stop and listen just to your part. Repeat and adjust with the engineer till it sounds right to you.   
   
  2. Being prepared ahead of time is an excellent idea!  But playing in a studio can be a compressed, unusual and stressful experience at times.  Think about the best place you ever played your whole heart and soul out. Your closet, a beach in Mexico, in front of adoring fans.... keep that picture in your head when you practice and stay there when you're in the studio.
   
  3. Have fun, it's a cool thing to do! 
   
  Bill H
  www.blackbonecollective.com
   
  Ross Macdonald writes:
   
  Hey List - I'm about to go into the studio with the band for the first time and am curious what you all do in preparing your harps for an upcoming recording session? Is there a protocol when preparing to record. And how do you explain different harp model tunings to an anal sound eng. who may ask. I use an eclectic mix of harps including: SP20s, GMs, and LOs, Delta Frosts, Meisterclasse, Tim Moyer's Journeyman, a Meehan Custom and now a new Suzuki FireBreath - yikes I'm a harpoholic! 

I will admit that this upcoming recording session is beginning to freak me out a little - any advice? I do plan to get a working digital recording of the sessions with everyone but me to work on b/4 I go in so I can be prepared.

Also - I tend to like different harmonica mfgs. and models depending on the key of the song I'm playing to - is that weird? 

Thanks in advance for any help! 
--
Ross Macdonald


 				
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