Re: [Harp-L] the melodious gg speaks on OBs

["groovy gypsy" <groovygypsy@xxxxxxxxx>]

Expand further on what? How to overblow?  The Curator of gg, LLC will be at
SPAH, if you or anybody is interested in learning OBs then please speak to
the official gg, LLC representative and they will have you OB'ing in short
order.

The only advice we have for you is to not discourage others and the first
step is for YOU to believe in yourself.

The orator of the department has distilled threads of respect, little water
and howard levy and given us a summary. Mr Rick of the Dempster clan, do you
propose our collegues were easily discouraged? How do you reckon they
gyrated to the levels of legendary greatness? Because they BELIEVED or
DISBELIEVED?

All musical prowess aside both players are milestones on the harmonica
timeline and if you believe in cycles of time then one could suppose Howard
Levy is the new Little Water.  If you strip away the exoshells of humaness,
you are left with an overflowing box of passion, inventiveness and absolute
belief in self and cosmos. Energy-wise they are one in the same - the music
has never stopped evolving... why should you?

This has been another gg moment brought to you by the gRAND gYRATIONS of the
universe.

Thank you,

gg

On Mon, Jul 7, 2008 at 6:08 AM, Rick Dempster <rick.dempster@xxxxxxxxxxx>
wrote:

> Perhaps you'd like to expand further Dear Gypsy..........if that's
> possible.
> RD
>
> >>> "groovy gypsy" <groovygypsy@xxxxxxxxx> 07/07/08 10:15 PM >>>
> Dear Rick Dempster,
>
> There is no Chris here so do not refer to me or him or us as such or who.
> Secondly, we have many students to which we teach such methods from the
> beginning. Take it under advisement that you're brain is most likely locked
> into thinking it is not possible. You've teaching for 30 years? Then you
> must be fabulous at teaching and playing and thus, correct. We here at gg,
> LLC have only been in business for 19 years and teaching for 11. Maybe our
> students will suddenly not be able to OB in the first five minutes (after
> learning to bend) once we hit the 30 year mark. We will have to discuss it
> with R&D and the Marketing Group.
>
> You sir, are creating discouragement in young players, something that is
> the
> hallmark of a poor player and teacher. Speaking of Chris, have you ever
> considered the whys and hows of why and how he's developed his iconoclastic
> vibrations of delight? It's because he believes it's possible to develope a
> uniquely original voice in an environment where there are people who have
> played for 30 odd years and can't carry a tune.
>
>
> Thank you and toodles,
>
> gg.
>
> On Mon, Jul 7, 2008 at 12:12 AM, Rick Dempster <rick.dempster@xxxxxxxxxxx>
> wrote:
>
> > "OBs are no more or less difficult to play than
> > anything else "
> > Chris, I believe this is  demonstrably untrue, and therefore misleading.
> > You may be speaking of your own experience perhaps, but the majority of
> > players (I've been teaching people for nearly thirty years) will find the
> > overbends difficult to control and difficult to use effectively, even ift
> > they do learn quickly to produce a passable  squawk in the right general
> > tonal direction.  In fact it's probably less painful for everybody if
> most
> > people let them alone, unless they can show good reason why they need
> them.
> > Most of what I've heard of this technique does not demonstrate such a
> need,
> > and a great deal of it is gawd-awful (mine included no doubt)
> > RD
> >
> > >>> "groovy gypsy" <groovygypsy@xxxxxxxxx> 06/07/08 6:54 AM >>>
> > The Senior David of Payne writes:
> > "On the overblows, just learn it when you feel like it, then work them
> > in to what you are playing"
> >
> > We in gg's head and spirit feel this is bad advice. As the gypsies
> > from the Andromeda Galaxy once elucidated to us, it's it best to start
> > OBs and all other techniques universally.
> > Strive to play what is inside your illuminant being rather than what
> > you hear on records unless of course you want to sound like a record.
> > OBs are no more or less difficult to play than
> > anything else so why avoid them.  More advice from the tethered one on
> > the vulcan planet Maruvia indicates that one should start out treating
> > the harmonica as if it is a "real" instrument
> > now. Learn to Clefs and Staves, rests, double stops and the like now
> > rather than having to evolve through the system of suck blow on this
> > arrow.
> >
> >
> > This has been a message from the most lyrical and melodious one.
> >
> > Thank you,
> >
> > gg
> > _______________________________________________
> > Harp-L is sponsored by SPAH, http://www.spah.org
> > Harp-L@xxxxxxxxxx
> > http://harp-l.org/mailman/listinfo/harp-l
> >
>