[Harp-L] Re:Posting



I don't see my post about the super sale I am offering so will post again,  
sorry if it shows up twice. I will be traveling to be part of the Masterclass 
in  Calif and am offering 5 of the SJ410 for $1600 each (1795 list) and 5 of  
the Crunchers for $1400 (1595 list). Short lead time. I am also selling my  
bomber mics, I have 3, vintage 50's CR 99H86 bought from Chuck Gurney loaded in  
custom shells for $225 each (295 list). Please contact me directly. BBHARPY 
who  also works on CR's received his 410 and had very nice things to say. Our 
line  out on the 410 will be strong and as close to speaker sound as possible, 
the  Cruncher's is being used quite often and guys say they can blast into the 
house.  My issue with building extremely loud amps for on stage volume is that 
it brings  the whole band up with you and if you are a blues player it is 
just too loud. As  far as tone, all customers that have contacted me back (90%+) 
have thanked us  for finally not fighting with feedback and can compete with 
the two guitar,  organ situation. I sat through one of the more famous player's 
shows  who really blasts it out there and for me it detoured from being able 
to  listen to his great playing. Sugar Ray if you can get to hear him has a 
nice  balance, he is always heard and rips when he wants to. I look forward to 
hearing  from you. Thank you. SJ
 
 
In a message dated 6/5/2008 11:17:06 A.M. Eastern Daylight Time,  
harp-l-request@xxxxxxxxxx writes:

Send  Harp-L mailing list submissions to
harp-l@xxxxxxxxxx

To subscribe or unsubscribe via the World Wide Web,  visit
http://harp-l.org/mailman/listinfo/harp-l
or, via  email, send a message with subject or body 'help' to
harp-l-request@xxxxxxxxxx

You can reach the person managing the list  at
harp-l-owner@xxxxxxxxxx

When replying, please edit  your Subject line so it is more specific
than "Re: Contents of Harp-L  digest..."


Today's Topics:

1. (no subject)  (greg@xxxxxxxxxxx)
2. Re: Chrom harp tabs. (Bill  Rossoll)
3. where to go in austin ?  (judoblues2@xxxxxxxxxxxxx)
4. Prewar Seydel stencil? (David  Payne)
5. XB-40 replacement valves (Richard  Hammersley)
6. Re: Re: [Harp-L] diatonic tablature for the  chromatic scale (john)
7. Brad Harrison youtube video  (randyharps@xxxxxxxxxxx)
8. Re: diatonic tablature for the  chromatic scale (Philharpn@xxxxxxx)
9. diatonic tablature for  the chromatic scale (Joseph Bernard)
10. Spanish Blues Harp Attack  (Andres Vicente)
11. RE: Which Minor?  (Chris  Canning)
12. Final Sale of my dad's harmonicas (Ann  Whitford)


----------------------------------------------------------------------

Message:  1
Date: Wed, 4 Jun 2008 17:36:42 -0400
From:  greg@xxxxxxxxxxx
Subject: [Harp-L] (no subject)
To:  harp-l@xxxxxxxxxx
Message-ID:  <200806042136.m54LagUp027339@xxxxxxxxxx>

remove unsubscribe  delete

This is an automatic response from greg@xxxxxxxxxxxx Please do  not reply to 
this message. 


IF YOU'RE HUMAN please kindly disregard  the text above - it helps cut down 
on the spam.

I am away from my email  from June 5 to June 12.  I will respond to your 
email when I return.  However, email and spam and the general state of my brain 
all conspire against  us - I may miss your message entirely. If you haven't 
received a reply from my  by 6/15, please understand, and try  again.

Thanks!

/Greg



------------------------------

Message:  2
Date: Wed, 04 Jun 2008 19:07:31 -0400
From: Bill Rossoll  <billrossoll@xxxxxxxxx>
Subject: [Harp-L] Re: Chrom harp tabs.
To:  harp-l@xxxxxxxxxx
Message-ID:  <48472033.6070800@xxxxxxxxx>
Content-Type: text/plain;  charset=ISO-8859-1; format=flowed

I could be wrong on this but I think  you might find that in Charley 
Musselwhite's instructional.
I think  it's called _Power Harp_ (or something.) Anybody know for  sure?


------------------------------

Message: 3
Date:  Thu, 05 Jun 2008 01:33:53 +0000
From: judoblues2@xxxxxxxxxxxxx
Subject:  [Harp-L] where to go in austin ?
To:  harp-l@xxxxxxxxxx
Message-ID:
<060520080133.4446.48474281000411E10000115E22230647029B0A02D2089B9A019C04040A0
DBFCD9C0A9A040D010B9A06@xxxxxxx>

Content-Type: text/plain

hello everybody Im going to Austin  from Thusday to Sunday this weekdend<any 
suggestions on where to go this  weekend< while im there>paron the wy this 
looks my computer at work is  screwed up

------------------------------

Message: 4
Date:  Wed, 4 Jun 2008 18:49:22 -0700 (PDT)
From: David Payne  <dave@xxxxxxxxxxxxxxxxxxxxxx>
Subject: [Harp-L] Prewar Seydel  stencil?
To: Harp L Harp L <harp-l@xxxxxxxxxx>
Message-ID:  <844716.75818.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=iso-8859-1

Anybody seen this? I'm almost sure it's  a Seydel stencil, everything about 
it says prewar Seydel to me.  Harmonica-collector usurped all these a** b** 
c**... guys...  $114 
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=260245157426&ssPageNam
e=STRK:MEWA:IT&ih=016
Dave  
________________________
Dave Payne Sr. 
ELk RIver  Harmonicas
www.elkriverharmonicas.com  



------------------------------

Message: 5
Date: Thu,  5 Jun 2008 11:46:39 +0100
From: Richard Hammersley  <rhhammersley@xxxxxxxxxxxxxx>
Subject: [Harp-L] XB-40 replacement  valves
To: Harp L Harp L <harp-l@xxxxxxxxxx>
Message-ID:  <BD4BE319-9B80-4864-97E1-82EE01FF1697@xxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=US-ASCII; format=flowed; delsp=yes

I  have an XB-40 in G which I bought soon after they came out. This   
is
the 2nd harp, the valves in draw 2 and 3 detached from  the 1st one  
and
arrived in my mouth, so I sent it  back. Draw 2 came out again on the
replacement, this time I  superglued it and no problems until now:  
The
blow 1  valve has vanished. Does anyone know where I can get a
replacement, or indeed how to bodge one? It is easy enough to stick
them on, but how to get one in the 1st place without spending the   
cost
of a new harp on the repair?
After  this experience I think that the XB-40 may be problematic in
lower keys - the big valves on my 2 instruments do not seem strongly
enough attached. I should add I have a newer XB-40 in C, which so   
far
has given no problems.
Richard
Richard Hammersley
Grantshouse, Scottish  Borders
http://www.last.fm/music/Richard+Hammersley
http://www.myspace.com/rhammersley
http://www.myspace.com/magpiesittingdown






------------------------------

Message:  6
Date: Thu, 5 Jun 2008 05:55:57 -0500
From: "john"  <jjthaden@xxxxxxxxx>
Subject: Re: Re: [Harp-L] diatonic tablature for  the chromatic scale
To: "Vern Smith" <jevern@xxxxxxx>,  "harp-l@xxxxxxxxxx"
<harp-l@xxxxxxxxxx>,     "Philharpn@xxxxxxx" <Philharpn@xxxxxxx>
Message-ID:  <200806050555483037015@xxxxxxxxx>
Content-Type: text/plain;   charset="iso-8859-1"

======= At 2008-06-04, 15:34:10 you wrote:  =======

>To use any std-to-tab conversion system, the user must know  some things 
>about reading music to correctly interpret std  notation.  I refer to the 
>rules for how sharp, flat, and natural  signs in the key signature and in 
the 
>same measure apply. 

That  is certainly not too much to ask or expect.

>Music-notation software  makes it easy to transpose a song in any key to any 
>other key.   

What software do you recommend?  For instance, you arrive at a  recording 
session, harps in hand, and are handed sheet music.  You think  of perhaps three 
different diatonics (positions), which, for different  reasons, strike you as 
having advantages.  You pull out your laptop and  portable scanner, scan in 
the music, transpose it onscreen, try the three  options, and decide on one.  
You print the music on your portable  printer, set it on the music stand and 
play.  What software will allow  that to happen in a seamless way?

>The diatonic player can choose  among 11 keys of harmonicas.  I 
>propose that a person learn to  read only on a C diatonic.  Then he can 
>choose a combination of  keys for the sheet music and the diatonic harp that 
>would use only a  single pattern of . hole-blow/draw/bend.  Thus learning to 
>read  for the diatonic would be about as easy as learning to read on a C  
>chromatic.  The advantage is that he can learn only one  hole-blow/draw-bend 
>pattern and use it on a harp of any key.  It  also handles playing in 
>positions.
>
>In this way the  diatonic player can avail himself of all the advantages of 
>std  notation such as timing and the analogy of altitude on the staff to  
>pitch ....without having to learn separate hole-b/d/bend for each key  of 
>harp.
>
>Example:  I have a piece in D that goes  down to A3, below the range of my 
>12-hole C chromatic.  I  transposed it to G on paper, play it on a G 
>chromatic (while thinking  C chromatic) and the concert key is D.  Thus I 
did 
>not have to  learn a different pattern of hole-blow/draw-slide actions for 
>the G  harp.   Another way of saying this is that by transposing sheet  
music, 
>I can think C-harp while playing a G-harp.
>
>This  isn't rocket science. Arrangers do this kind of thing routinely for  
>players of transposing wind instruments. The difference is that they  don't 
>have access to as many keys of transposing instruments as does  the 
harmonica 
>player.
>
>Vern
>Visit my harmonica  website www.Hands-Free-Chromatic.7p.com
>
>----- Original Message  ----- 
>From: <Philharpn@xxxxxxx>
>To:  <mmolino54@xxxxxxxxxxx>; <harp-l@xxxxxxxxxx>
>Sent:  Wednesday, June 04, 2008 11:05 AM
>Subject: Re: [Harp-L] diatonic  tablature for the chromatic scale
>
>
>> Remarkably well  done job. Not only do they do the job, they look nice  
too.
>>
>> Now nobody has any excuse for being unable to  convert musical notation 
>> into
>> harmonica tablature.  Diatonic or chromatic -- of chromatic diatonic.
>>
>> Takes  all the busywork out of the task.
>>
>> Phil  Lloyd
>>
>>
>>
>>
>> In a message  dated 6/4/08 11:18:43 AM, mmolino54@xxxxxxxxxxx  writes:
>>
>>
>>>
>>> When I first  picked up the diatonic 2 years ago, I was trying to learn 
>>>  the
>>> layout and relearn how to read music, so I created some  visuals/guides I
>>> thought might help me. I don't know if these  are helpful to anyone else, 
>>> but they
>>> don't do  any good if no one sees them so here they are:
>>>
>>>  Musical Notation and Diatonic Harmonica Tab for Natural Notes
>>>  http://www.harptabs.com/displayfile.php?ID=21
>>>
>>>  Chromatic Music Scale Diatonic Harmonica Tab (Key of
>>>  C)http://www.harptabs.com/displayfile.php?ID=22
>>>
>>>  Diatonic Harmonica Tab 
>>>  Rulershttp://www.harptabs.com/displayfile.php?ID=31
>>>
>>>  -MarcThe RP Muse Blog ~ Highlighting local arts & culture.  Submissions
>>>  welcomed.http://therpmuse.blogspot.com
>>>  _________________________________________________________________
>>>  Search that pays you back! Introducing Live Search cashback.
>>>  http://search.live.com/cashback/?&;
>>>  
pkw=form=MIJAAF/publ=HMTGL/crea=srchpaysyouback_______________________________________________
>>>  Harp-L is sponsored by SPAH, http://www.spah.org
>>>  Harp-L@xxxxxxxxxx
>>>  http://harp-l.org/mailman/listinfo/harp-l
>>>
>>
>>
>>
>>
>>  **************
>> Get trade secrets for amazing burgers. Watch  "Cooking with
>> Tyler Florence" on AOL Food.
>>    (http://food.aol.com/tyler-florence?video=4?&amp;
>>  NCID=aolfod00030000000002)
>>  _______________________________________________
>> Harp-L is  sponsored by SPAH, http://www.spah.org
>>  Harp-L@xxxxxxxxxx
>> http://harp-l.org/mailman/listinfo/harp-l  
>
>
>_______________________________________________
>Harp-L  is sponsored by SPAH,  http://www.spah.org
>Harp-L@xxxxxxxxxx
>http://harp-l.org/mailman/listinfo/harp-l

=  = = = = = = = = = = = = = = = = = = =


Best regards.                
john
jjthaden@xxxxxxxxx
2008-06-05




------------------------------

Message:  7
Date: Thu, 05 Jun 2008 11:26:23 +0000
From:  randyharps@xxxxxxxxxxx
Subject: [Harp-L] Brad Harrison youtube video
To:  harp-l@xxxxxxxxxx
Message-ID:
<060520081126.14334.4847CD5F000E89E8000037FE22070229339C9F9D0E08970B020E9D@com
cast.net>

Content-Type: text/plain

Hey!
Yall should check out Brad  Harrisons youtube video. His DeFord Bailey is off 
the friggin  hook!!
Hi<object width="425" height="344"><param name="movie"  
value="http://www.youtube.com/v/JQXyBuyAomQ&hl=en";></param><param  name="wmode" 
value="transparent"></param><embed  src="http://www.youtube.com/v/JQXyBuyAomQ&hl=en";  
type="application/x-shockwave-flash" wmode="transparent" width="425"  
height="344"></embed></object>s  

------------------------------

Message: 8
Date: Wed, 4 Jun  2008 21:59:57 EDT
From: Philharpn@xxxxxxx
Subject: Re: [Harp-L] diatonic  tablature for the chromatic scale
To: jevern@xxxxxxx, harp-l@xxxxxxxxxx,  Philharpn@xxxxxxx
Message-ID:  <cb4.33bc2f49.3578a29d@xxxxxxx>
Content-Type: text/plain;  charset="ISO-8859-1"

Vern is right about this. There are a few things  "that everybody knows" who 
reads music. And you need to know these things  to make sense out of 
notation. 

The treble clef, also called the G clef  because that cursive looking g wraps 
around the G line on the five-line  staff. The lines are EGBDF (Every Good 
Boy 
Does Fine) and the spaces are  FACE like the word face. Flats go down (like a 
flat tire) and sharps (like  a point) go up. The same note can a flat or 
sharp 
depending where you  start. An apartment ceiling is somebody else's floor.   
Depends  where you stand.

Key signature is that bunch of "b"s or ### at the  beginning of each line (or 
at least the first line of the tune). That  tells you the key (which you can 
deduce from your Circle of Fifths which  adds a # (sharp) to each key 
clockwise 
from C and adds a b (flat) to each  key counter clockwise.

The key of C has no flats or sharps; this is why  piano players and harmonica 
players like it so much. What you see is what  you get. Once they key 
changes, 
the player has to remember which note is  no longer what it seems. In the key 
of G, every F is no longer an F, it's  an F# (half step higher: push the 
button 
in on the chrome). F is the first  space inside the treble clef. On the 
piano, 
the black key next to the  white F is F#. This is a half-step higher, to the 
right.

For flats,  going counterclockwise from C on the Circle of Fifths is the key 
of F  which has Bb (B flat). This means every time you come to a note on the  
third line (B) you have to play a note a half-step lower. On the piano,  the 
Bb is 
the black key below (left of) the white B.

You can tell  what key the key signature stands for by knowing: One sharp (#) 
is G, one  flat (b) is F. From there, sharp keys: the next note above the far 
right  sharp. For flat keys, second b from right. (double check with your 
Circle  
of Fifths).

Then the basic major scale: Just like the piano  keyboard, start on a C and 
every note is a full step (black key + white  key) except the 3&4 (E&F) and 
7&8 
(B&C). This is helpful  if your are trying to figure out the I, IV and V 
chords) 
based on the 1st,  4th and 5th note of the scale.

Also, if you are trying to figure out a  pentatonic scale or blues scale, 
which are all based on the standard  everyday major scale.


Why the piano? The piano is the absolutely  best way to understand music 
notation because it was designed after  everybody decided how to write down 
music. 
(oversimplification, but  true).

If this all sounds complicated, it's really not. You can either  forget about 
it or buy a cheap paperback on How to Read Music for a couple  of bucks at a 
book store or music store.

Remember, confusion is the  first step of learning.

Hope this helps.

Phil  Lloyd




In a message dated 6/4/08 5:33:26 PM, jevern@xxxxxxx  writes:


> To use any std-to-tab conversion system, the user must  know some things
> about reading music to correctly interpret std  notation.  I refer to the
> rules for how sharp, flat, and natural  signs in the key signature and in 
the
> same measure apply.  For  those that do not read music, there is no
> indication on the staff that  the signs apply to other octaves or to
> non-adjacent notes in the same  measure.  For example, the non-reader may
> miss the # for C above  and below the staff in the key of D...etc.
> 
> I don't see any  other way around this but for the user to memorize these
> rules.   This is an unavoidable first step in the dreaded task of learning 
to
>  read.
> 
> Music-notation software makes it easy to transpose a  song in any key to any
> other key.  The diatonic player can choose  among 11 keys of harmonicas.  I
> propose that a person learn to  read only on a C diatonic.  Then he can
> choose a combination of  keys for the sheet music and the diatonic harp that
> would use only a  single pattern of . hole-blow/draw/bend.  Thus learning to
> read  for the diatonic would be about as easy as learning to read on a C
>  chromatic.  The advantage is that he can learn only one  
hole-blow/draw-bend
> pattern and use it on a harp of any key.  It  also handles playing in
> positions.
> 
> In this way the  diatonic player can avail himself of all the advantages of
> std  notation such as timing and the analogy of altitude on the staff to
>  pitch ....without having to learn separate hole-b/d/bend for each key  of
> harp.
> 
> Example:  I have a piece in D that goes  down to A3, below the range of my
> 12-hole C chromatic.  I  transposed it to G on paper, play it on a G
> chromatic (while thinking  C chromatic) and the concert key is D.  Thus I 
did
> not have to  learn a different pattern of hole-blow/draw-slide actions for
> the G  harp.   Another way of saying this is that by transposing sheet  
music,
> I can think C-harp while playing a G-harp.
> 
>  This isn't rocket science. Arrangers do this kind of thing routinely  for
> players of transposing wind instruments. The difference is that  they don't
> have access to as many keys of transposing instruments as  does the 
harmonica
> player.
> 
> Vern
> Visit my  harmonica website www.Hands-Free-Chromatic.7p.com
> 
> -----  Original Message -----
> From: <Philharpn@xxxxxxx>
> To:  <mmolino54@xxxxxxxxxxx>; <harp-l@xxxxxxxxxx>
> Sent:  Wednesday, June 04, 2008 11:05 AM
> Subject: Re: [Harp-L] diatonic  tablature for the chromatic scale
> 
> 
> > Remarkably  well done job. Not only do they do the job, they look nice 
too.
>  >
> > Now nobody has any excuse for being unable to convert  musical notation
> > into
> > harmonica tablature. Diatonic  or chromatic -- of chromatic diatonic.
> >
> > Takes all the  busywork out of the task.
> >
> > Phil Lloyd
>  >
> >
> >
> >
> > In a message dated  6/4/08 11:18:43 AM, mmolino54@xxxxxxxxxxx writes:
> >
>  >
> >>
> >> When I first picked up the diatonic 2  years ago, I was trying to learn
> >> the
> >> layout  and relearn how to read music, so I created some visuals/guides I
>  >> thought might help me. I don't know if these are helpful to anyone  
else,
> >> but they
> >> don't do any good if no one  sees them so here they are:
> >>
> >> Musical Notation  and Diatonic Harmonica Tab for Natural Notes
> >>  http://www.harptabs.com/displayfile.php?ID=21
> >>
>  >> Chromatic Music Scale Diatonic Harmonica Tab (Key of
> >>  C)http://www.harptabs.com/displayfile.php?ID=22
> >>
>  >> Diatonic Harmonica Tab
> >>  Rulershttp://www.harptabs.com/displayfile.php?ID=31
> >>
>  >> -MarcThe RP Muse Blog ~ Highlighting local arts & culture.  Submissions
> >> welcomed.http://therpmuse.blogspot.com
>  >>  _________________________________________________________________
>  >> Search that pays you back! Introducing Live Search cashback.
>  >> http://search.live.com/cashback/?&;
> >> 
>  
pkw=form=MIJAAF/publ=HMTGL/crea=srchpaysyouback_______________________________________________
>  >> Harp-L is sponsored by SPAH, http://www.spah.org
> >>  Harp-L@xxxxxxxxxx
> >>  http://harp-l.org/mailman/listinfo/harp-l
> >>
>  >
> >
> >
> >
> >  **************
> > Get trade secrets for amazing burgers. Watch  "Cooking with
> > Tyler Florence" on AOL Food.
> >   (http://food.aol.com/tyler-florence?video=4?&amp;
>  > NCID=aolfod00030000000002)
> >  _______________________________________________
> > Harp-L is  sponsored by SPAH, http://www.spah.org
> > Harp-L@xxxxxxxxxx
>  > http://harp-l.org/mailman/listinfo/harp-l
> 
> 
>  
> 




**************
Get trade secrets for amazing  burgers. Watch "Cooking with 
Tyler Florence" on AOL Food.
(http://food.aol.com/tyler-florence?video=4?&amp;
NCID=aolfod00030000000002)


------------------------------

Message:  9
Date: Thu, 5 Jun 2008 07:02:42 -0700 (PDT)
From: Joseph Bernard  <bjosephmex@xxxxxxxxx>
Subject: [Harp-L] diatonic tablature for the  chromatic scale
To: Harp-L@xxxxxxxxxx
Message-ID:  <906661.8175.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=iso-8859-1

Just copy the tunes you want from  harptabs.com.  Make a copy to allow for 
mistakes, then use the find and  replace function to convert the tabs.  I prefer 
to convert them into  numbers and letters so I can play any mode or any 
harmonica with the same  tabs.  C0 C1 C2 C3, etc.  You have to have a system so 
that you  donÂt convert the same note twice.  If you do it correctly, converting  
100 tunes at the same time is just as easy as converting  one!




------------------------------

Message: 10
Date: Thu, 5 Jun  2008 16:19:28 +0200
From: "Andres Vicente"  <andres@xxxxxxxxxxxxxxxxxx>
Subject: [Harp-L] Spanish Blues Harp  Attack
To: <harp-l@xxxxxxxxxx>
Message-ID:  <FE1590356C0843D3B09184B336ECD2A7@f06d752a7e5e470>
Content-Type:  text/plain; format=flowed; charset="iso-8859-1";
reply-type=original

Hello all,

some friends of the harmonica  scene from Spain have joined in a proyect to 
pay tribute of that Â91  Alligator CD Harp Attack!, at this chance Ãaco GoÃi, 
Mingo Balaguer and  Danny Boy are playing their own stuff in some places and 
festivals and  recorded the Spanish Blues Harp Attack CD, that sounds 
great!!!

And  just for fun, even Antonio Serrano plays his chromatic harmonica in one  
cut.

A sample  here.

http://youtube.com/watch?v=RLXVWNFhwzg

Regards,




------------------------------

Message:  11
Date: Fri, 6 Jun 2008 01:14:16 +1000
From: "Chris Canning"  <chriscanning@xxxxxxxxxxx>
Subject: [Harp-L] RE: Which Minor? 
To:  <harp-l@xxxxxxxxxx>
Message-ID:  <000701c8c71e$d2f866a0$78e933e0$@com>
Content-Type: text/plain;   charset="us-ascii"

Thanks to all that responded to my question  on minor scales. I've got plenty
to take in thanks to some great posts. Re:  the 1OB I'll let you know if the
golf ball or the hot potato does the  trick.

Thanks again Chris Canning.
Ocean Grove,  AUS.



------------------------------

Message: 12
Date:  Thu, 5 Jun 2008 08:14:45 -0700 (PDT)
From: Ann Whitford  <annwhitford@xxxxxxxxx>
Subject: [Harp-L] Final Sale of my dad's  harmonicas
To: harp-l@xxxxxxxxxx
Message-ID:  <506503.54830.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=iso-8859-1

Here are the harmonicas left of my dad's  collection.  (Thanks to all of you 
who have purchased others.)  I've  reduced prices, and would consider any 
reasonable offer(s) of any  remaining.

Thanks,
Ann


HOHNER 64 CHROMONICA        were $75  each   NOW $50
Chromatic Octaves,  Professional Model, Key of C, with case    
2 in  Excellent/Like New Condition 
1 shows some wear/finish a bit worn  with a few scratches

HOHNER SUPER 64  CHROMONICA
(1)   Excellent/Like New Condition, with  case   was $160 NOW $100
(1)    Very Good  Condition, few scratches but no finish wear, with case  
was $120 NOW $75

HOHNER PROFESSIONAL 2016 CBH
Fair condition (shows wear on metal name/trim piece) with  case   was $175
Now $140                     
HERING 64  CHROMATIC 
Excellent/Like New Condition, with (soft) plastic  case.  was $75   NOW $50


ORâ.MAKE ME AN OFFER ON  ANY OF THE ABOVE.   

------------------------------

_______________________________________________
Harp-L  is sponsored by SPAH, http://www.spah.org
Harp-L mailing  list
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l

End  of Harp-L Digest, Vol 58, Issue  8
*************************************




**************Get trade secrets for amazing burgers. Watch "Cooking with 
Tyler Florence" on AOL Food.      
(http://food.aol.com/tyler-florence?video=4?&NCID=aolfod00030000000002)




This archive was generated by a fusion of Pipermail 0.09 (Mailman edition) and MHonArc 2.6.8.