Re: [Harp-L] Ode Challenge Revisited (was Augmented)



This supposed to be about consistency of tone isn't it? Surely, to use one example, the 'side' keys on a sax produce a different tone to the 'front' (? sorry I don't know the correct terminology) keys. Is this not a feature of any wind instrument? Why do I think Winslow is going to answer this.......? or Joe... or.......
RD

>>> Joe and Cass Leone <leone@xxxxxxxx> 20/03/2009 15:22 >>>
When doing T.D.'s (tommy dorsey's), or Pinetop Boogies, I use all 3  
of those bends. Piece of cake.
sMO-Jo



On Mar 19, 2009, at 11:24 PM, IcemanLE@xxxxxxx wrote:

> Check out Charley McCoy - he does it all the time
>
>
> In a message dated 3/19/2009 1:09:51 P.M. Eastern Daylight Time,
> solo_danswer@xxxxxxxxxxxx writes:
>
> test  of
>> whether a "difficult" bent note like the draw 3 double bend (B  
>> down  to A
> on a
>> C harp) could be played in an exposed setting without  disrupting  
>> the flow
>
> **************Great Deals on Dell 15" Laptops - Starting at $479
> (http://pr.atwola.com/promoclk/100126575x1220029050x1201385914/aol? 
> redir=http:%2F%2Fad.doub
> leclick.net%2Fclk%3B212974460%3B34272906%3Bh)
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org 
> Harp-L@xxxxxxxxxx 
> http://harp-l.org/mailman/listinfo/harp-l 

_______________________________________________
Harp-L is sponsored by SPAH, http://www.spah.org 
Harp-L@xxxxxxxxxx 
http://harp-l.org/mailman/listinfo/harp-l





This archive was generated by a fusion of Pipermail 0.09 (Mailman edition) and MHonArc 2.6.8.