Re: [Harp-L] Re: Miles Davis, So What / position exploration / harp



Bill,

Is the "deliberate" mistake the 7 (A- 5th)? What do I win? By Jove, where's Hove?

Peter

On Jun 11, 2010, at 1:56 PM, Bill wrote:

Thanks Guys - there's a special prize of a biscuit and a cup of builder's
tea, for anyone that spots the deliberate mistake - although you'll have to
come to Hove to get it


Bx

On Fri, Jun 11, 2010 at 6:41 PM, GINO <ginoharmonica@xxxxxxxxx> wrote:

 Your correct. That's how I'd do it.
I'm ok in 5th and 12th (only in 12th you
have to remember to flat the 3rd & 7th
all the time) 12th is by nature a
Maj 7 scale. Kind of a pain.
Still, I'd choose a different tune,
unless it's for intellectual stimulus
cause of boredom.

         *Gino*
*  "LICENSE TO SMOKE"*
*http://www.ginoharmonica.com*


------------------------------
*From:* Bill <bill.eborn@xxxxxxxxxxxxxx>
*To:* John F. Potts <hvyj@xxxxxxx>
*Cc:* harp-l@xxxxxxxxxx
*Sent:* Fri, June 11, 2010 10:14:38 AM
*Subject:* Re: [Harp-L] Re: Miles Davis, So What / position exploration /
harp


Ok, I've written out the scales in tab showing the notes for a Bb harp
over 2 octaves - The schema for the tab is 3 = 3 draw, 3+ = 3 blow, 3' = 3
1/2 step bend, 3'' = 3 whole step bend etc 4o/7o = 4ob or 7od. Also Rt =
Root note


D Dorian 5th position
+2 (D-Rt), '2 (E-2nd), 2/+3 (F-b3), 3'' (G-4th), 3 (A-5th), 4' (B-6th), 4
(C-b7), +5 (D-Rt), 5o (E-2nd), +6 (F-b3), 6 (G-4th), 7o (B-6th), 8 (C-b7),
+8 (D-Rt)


Eb Dorian 12th Position
2'' (Eb-Rt), 2/+3 (F-2nd), 3''' (Gb-b3), 3' (Ab-4th), +4 (Bb-5th), 4
(C-6th), 4o (Db-b7), 5 (Eb-RT), +6 (F-2nd), 6' (Gb-b3), 6o (Ab-4th), +7
(Bb-5th), 8 (C- 6th), +8' (Db-b7), 9 (Eb-Rt)


Actually the only reason i started to learn to overblow is because I'm crap
at juggling - lol! Also I'm on my own on the graveyard shift at work and
eager for a distraction from writing the other kind of less pleasurable
notes that I'm seriously behind with, so please don't say anything to my
boss.


Bx


On Fri, Jun 11, 2010 at 5:01 PM, John F. Potts <hvyj@xxxxxxx> wrote:


Yeah, using 2 harps (C and Db) is how I've been doing it. The idea of
using
i harp (Bb) is intriguing. But, as I understand it, the head of tune has
16
measures of D dorian minor scale tones a step apart, modulates to Eb
dorian
minor scale tones a step apart for a 8 measures, and then modulates back
to
D minor dorian scale tones.

I think the Eb scale tones that I play on the Db harp are Ab and Gb which
don't lay out that well on a Bb harp. Also, Bb is NOT part of the D
dorian
scale--it would be the flat sixth and that scale has a major sixth. Right
off the top I'm having trouble transposing the parts i usually play to a
Bb
harp, but, there may be other note selections that will work--I'm not
sure.







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